It's been a fast and furious last few weeks as I drove to Italy ( much longer than you might think), and very dodgy wifi most of the time. A friend decided to come along in the first week I was here, so we stayed near Ravenna. I did a 2.5 day workshop at Montefiore Conca with Opficia della Rossa. The workshop was a combination of kamishibai , shadow and print making- and gave me lots of food for thought.
Some of the work I made for the workshop- we made puppets out of paper to create characters for the shadow theatre ( the puppets were inspired by tracing shadows of foliage and other things)- and I tried out some different printing- cutting stencils and such- it is quite different working with oil based inks.
Some images from Umberto's book- he made wood blocks (xylographs) on each day of his travels for 23 days in the outlands in Argentina.Feel very lucky to be able to view this in the flesh.
Then it was onto Lido de Jesolo- not because I am a beach holiday resort person, but because the season has still not started and it was possible to get very reasonably priced accommodation in a small apartment. Another friend , Caroline Higgs and I had arranged ages ago to visit Venice. She had seen many parts Italy she had never been to Venice. It was lovely catching the boat bus to Venice in the early mornings with the local children going to school or local people going to work,before the tourist hordes descend. You end up arriving near Piazza san Marco- so you are also travelling against the tourist tide that invades from the railway station. If you ever go to Venice make the effort to get up really early in the morning- it is quite magical and it is easy to get around- none of the shops are open to distract- you simply concentrate on the ambience and you can get very good photographs because it is not as bright and the light is slightly diffused with water vapour.
And every now and then you run into a piece of art that stops you in your tracks and simply has you gasping for breath and leaves you with tears in your eyes. We walked into the Chiesa della Pieta because it was a free fringe exhibit of the Biennale and on the way to the boat bus station. What we had not expected was to find such incredible emotion. I took pictures and of course will give the artist Safet Zec's website- but there is no substitution for seeing the work in the flesh. He works on grounds seemingly made out of layered papers and newspapers, but it is the emotion in the plight of refugees that he has created that is breath taking. He and his family were once themselves refugees- he makes all those human connections seem alive and heartbreaking. For those that say painting is dead- this work proves that it is not. Caroline and I both had the same response to the work and we went back a second time. It is powerful and moving and asks us the question of what it is to be human.My photo does not do justice to the work.